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Tag Archives: Crashed Asteroid

I thought I’d take advantage of the fact that I’m doing some high standard personal work  and show you a bit about how I work. I don’t think there’s anything special about this workflow. I just systematically incorporate to my process whatever advice I find sensible enough by more experienced people than myself. Lately Chris Oatley‘s advice and blog posts have had a major influence in me trying to alter my workflow, mainly in the reference studies part of the process.

 

Briefing

Pick three Jules Verne’s books and do a cover illustration for each to turn them into postcards.

Research and thumbnails

I chose “Journey to the center of the Earth”, “From the Earth to the Moon” and “The Steam House”. I did a little research on the books to refresh my memory, as I had read the three books a long time ago. I started thumbnailing as I read.

Once I was more or less certain of the direction I wanted to take, I started to gather reference and doodling a bigger version of the winners at the same time. In the research process I changed my mind and found another way to go with the “Journey to the center of the Earth” concept. We all know google works in mysterious ways and among the results of one of many search terms it threw at me was Caspar David Friedrich’s “Wanderer above the sea of fog”.

Full size rough sketches and reference gathering.

As I was sketching at the same time I was gathering my references, I could take this chance to change my mind about the concept for “Journey to the center of the Earth”. It is an organic process in which reference and sketches determine where each other will go next.

References for these three images include general matters such as composition, colour and lighting inspiration and also detail references, like mushrooms and dinosaur bones, certain poses and gestures, furniture, machines and architecture. Everything that will help me figure out the details in the final work.

Reference studies

The clean up is not the place and moment to face figuring out the details of the piece and after all the time spent selecting relevant references it’s worth it spending some time studying it in order to learn, plan and figure things out. I had never drawn dinosaur bones or mushrooms, I wasn’t aware of their variety. And for sure I had never drawn a mechanical “dancing” elephant anthro thing. So I spent some time making sure I learnt how some things worked like buried dinosaur skeletons, mushrooms, hands stirring tea, how does an explorer hat fit or how to bend the joints of my steam powered Ganesha.

Now, am I ready for cleaning this up or what?

To be continued…

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Am I the only one who feels it’ll be Christmas by next week by the pace the year is advancing at? March, Epic Month by the way, although I was sort of in stealth mode, sorry about that. Suddenly I was buried in a mountain of work I couldn’t really say much about, but now it’s done I think I can at least talk about it a little.

I also took my second dan examination (successfuly!) and was in Barcelona for a short while, cause I had The Egmont-Disney Meeting, which I will talk to you about not today but soon-ish, just because I’m such a tease. :o).

 

So yeah, March, Epic Month. Let’s break this down.- Said Jack the Reaper.

– Around December a friend brought me in contact with nestorgames.com and they gave me the opportunity to be in charge of the art of one of their next boardgames, one about ninja factions’ fights, awesome! During February and March I’ve been working on the art for the board, the cards and the counters of the game and The house of the flying blades and it’s expansion pack, The temple of the flying blades is now in production. I. Am. So. Excited.

Down here you can see some of the sketches I did when planning the content of the cards and a basic colour comp for the board. Bear in mind, these are not final pieces.

– Also between February and March I have worked in a map for a LARP/RPG related project commissioned by a writer. The map hasn’t been shown up yet but I thought I’d share some of the elements I composed into it. I worked the map and the elements surrounding it traditionally and in separate sheets and then composed it afterwards in Photoshop. What you can see here are some of the ink and watercolour drawings, more specifically the ones of the monsters that framed the world and relate to the mythology of the world I was mapping. This commission sky rocketed me out of my comfort zone and for that I am grateful that I decided to take it. I hope I will be able to show the entire thing soon.

– Last but not least, let me tell you about Crashed Asteroid, a project I have in common with Bamidala. A few months ago we got together and brought in some friends to put together a 92 full colour pages anthology of comics and illustrations tributing Jules Verne, one of the fathers of science fiction and steampunk. We have a table lined up at the comic village for the London’s MCM in May, where we will be first selling it. Being in charge of a book has been a great experience but so time consuming if you consider that we were contributing pages to it as well as managing everything. About my contribution, let me tell you it is seven pages long, full colour and displays a coming of age type story related to Verne-esque trips. Here I experimented in every aspect possible: style, finishing, colour and process. I spent an average of two days per page and I executed it almost entirely while listening to “Space Oddity” in replay. For now, I’d like to introduce you the ilustrious members of the Verne Society:

I hope you have enjoyed this catch up post. See you around for an update on The Egmont-Disney Meeting, all kinds of information and previews concerning Crashed Asteroid’s first publication and more.

Have a fantastic weekend!

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